"Cultural appropriation"

Cathy Young writes in the Washington Post:

At one time, . . . critiques [of "cultural appropriation"] were leveled against truly offensive art — work that trafficked in demeaning caricatures, such as blackface, 19th-century minstrel shows or ethnological expositions, which literally put indigenous people on display, often in cages. But these accusations have become a common attack against any artist or artwork that incorporates ideas from another culture, no matter how thoughtfully or positively. A work can reinvent the material or even serve as a tribute, but no matter. If artists dabble outside their own cultural experiences, they’ve committed a creative sin.

To take just a few recent examples: After the 2013 American Music Awards, Katy Perry was criticized for dressing like a geisha while performing her hit single “Unconditionally.” Last year, Arab-American writer Randa Jarrar accused Caucasian women who practice belly dancing of “white appropriation of Eastern dance.” Daily Beast entertainment writer Amy Zimmerman wrote that pop star Iggy Azalea perpetrated “cultural crimes” by imitating African American rap styles.

And this summer, the Museum of Fine Arts in Boston has been dogged by charges of cultural insensitivity and racism for its “Kimono Wednesdays.” At the event, visitors were invited to try on a replica of the kimono worn by Claude Monet’s wife, Camille, in the painting “La Japonaise.” The historically accurate kimonos were made in Japan for this very purpose. Still, Asian American activists and their supporters besieged the exhibit with signs like “Try on the kimono: Learn what it’s like to be a racist imperialist today!” Others railed against “Yellow-Face @ the MFA” on Facebook. The museum eventually apologized and changed the program so that the kimonos were available for viewing only. Still, activists complained that the display invited a “creepy Orientalist gaze.”

These protests have an obvious potential to chill creativity and artistic expression. But they are equally bad for diversity, raising the troubling specter of cultural cleansing. When we attack people for stepping outside their own cultural experiences, we hinder our ability to develop empathy and cross-cultural understanding.

It's time for cultural appropriators to proudly reclaim "culturally appropriative" as a positive, empowering term. When asked "Isn't that cultural appropriation?" you should enthusiastically answer: "Yes! I freely adopt any cultures I choose, and I wouldn't have it any other way!"

The pejorative use of the phrase "cultural appropriation" marginalizes historically oppressed groups by trying to scare others away from being anything like those groups. In everyday real life (as opposed to theoretical discussions on the internet), people normally go around emulating other people who they want to be like. In fact, it's often very beneficial to be emulated. For instance, Chuck Berry would not be such a huge rock star if white guitarists had ignored him rather than imitating him. Copying is not theft!