The Best Songs of the 2010s: Runners-up

10 years ago, I posted a list of the 100 best songs of the decade, 2000 to 2009.

Now I'm doing it again with the decade that's coming to an end: 2010 to 2019.

But first, here are 100 runners-up — songs I like but didn't have room for in the top 100 — in no particular order. (The song title usually links to an album the song is on, and after that I embed or link to video.)

A Spotify playlist of these songs is at the end of this post.


Owen Pallett — "Lewis Takes Off His Shirt"



Zola Jesus — "Dangerous Days" — WATCH (official video)

Broken Bells — "Good Luck" — LISTEN

The face of evil is on the news tonight

We see the darkness over light

But have we ever really lived in better times?

The Naked and Famous — "Young Blood" — WATCH

Robyn — "Ever Again" — WATCH

The Goo Goo Dolls — "Miracle Pill" — WATCH

Frances Quinlan — "Rare Thing" — WATCH

I only managed to stay small by making giants out of strangers

Regina Spektor — "Small Town Moon" — LISTEN

The Tragically Hip — "In a World Possessed by the Human Mind" — WATCH

Estelle — "Wonderful Life" — WATCH

Wye Oak — "Glory"

How do 2 people make so much sound? Look at the drummer: he's playing keyboard at the same time!



I Don't Know How But They Found Me — "Nobody Likes the Opening Band" — WATCH

Daft Punk (feat. Pharrell Williams) — "Get Lucky" — WATCH (acoustic cover)

Sophie Ellis-Bextor — "Come with Us" — WATCH

Feist — "How Come You Never Go There" — WATCH 
 
Faded Paper Figures — "Information Runs On" — LISTEN

Willie J Healey — "Polyphonic Love" — WATCH

David Bowie — "Sue (or in a Season of Crime)" — WATCH (rock version)

Lorde — "Tennis Court" — WATCH

Joanna Newsom — "Easy" — LISTEN

Hiatus Kaiyote — "Breathing Underwater"



Cults — "Always Forever" — LISTEN

Sky Ferreira — "You're Not the One" — WATCH (live)

Florence and the Machine — "Hunger" — WATCH

Marian Hill — "Down" — WATCH

Emeli Sandé — "Next to Me" — WATCH

Cage the Elephant — "Trouble" — WATCH

Rise Against — "Lanterns" — LISTEN

The Strokes — "80's Comedown Machine" — LISTEN

Wilco — "Art of Almost" — LISTEN

Aloe Blacc — "Loving You Is Killing Me"

I like the raw energy of the live version below, but here's the more polished recording.



Hot Chip — "Spell" — WATCH

Phantogram — "Fall in Love" — WATCH

Belle and Sebastian — "Party Line" — WATCH

Tame Impala — "The Less I Know the Better" — WATCH  

P!nk — "Blow Me (One Last Kiss)" — WATCH

The Stepkids — "Art of Forgetting" — WATCH

Grizzly Bear — "Losing All Sense" — WATCH 

Rose Windows — "Native Dreams" — WATCH

Red Hot Chili Peppers — "The Hunter" — LISTEN

Kimbra — "Come Into My Head"

Check this blog later for a very different Kimbra!



Gregory Porter — "Don't Lose Your Steam" — WATCH

Frank Ocean — "Thinkin Bout You" — LISTEN

Alvvays — "Dreams Tonite" — WATCH

Daedelus (feat. Inara George) — "Penny Loafers" — LISTEN

Snarky Puppy (feat. Knower & Jeff Coffin) — "I Remember" — WATCH

U2 — "The Blackout" — WATCH

Caribou — "Odessa" — WATCH

Imogen Heap — "Lifeline" — WATCH

Bon Iver — "Holocene" — WATCH

Fleet Foxes — "Helplessness Blues"

I was raised up believing

I was somehow unique

Like a snowflake distinct among snowflakes

Unique in each way you can see

And now after some thinking

I'd say I'd rather be

A functioning cog in some great machinery

Serving something beyond me…

Sharon Van Etten — "Seventeen" — WATCH

Jenny Lewis — "Wasted Youth" — WATCH 

Kacey Musgraves — "Follow Your Arrow" — WATCH 

Paul McCartney — "Alligator" — LISTEN

White Rabbits — "Heavy Metal" — WATCH

Raury — "God's Whisper" — WATCH

Cherri Bomb (later known as Hey Violet) — "Shake the Ground" — WATCH

nine inch nails — "find my way" — LISTEN

Oh Land — "Doubt My Legs" — LISTEN

Björk — "Notget"



Becca Stevens — "Queen Mab" — WATCH

HAIM — "The Wire" — WATCH

Anderson .Paak — "Put Me Thru" — WATCH

Sleater-Kinney — "Reach Out" — LISTEN

FKA twigs — "Two Weeks" — WATCH

Lady Gaga — "Judas" — WATCH

Tom Petty and the Heartbreakers — "Red River" — LISTEN

Weezer — "Beach Boys" — LISTEN

Pearl Jam — "Sleeping by Myself" — LISTEN

Snarky Puppy (feat. Laura Mvula & Michelle Willis) — "Sing to the Moon" — WATCH 



MGMT — "It's Working" — WATCH

of Montreal — "Nursing Slopes" — LISTEN

Carly Rae Jepsen — "Call Me Maybe" — WATCH

The Kooks — "Junk of the Heart (Happy)" — WATCH

Keri Hilson — "Pretty Girl Rock" — WATCH

Pale Waves — "There's a Honey" — WATCH

M83 — "Midnight City" — WATCH

Beck — "Morning" — LISTEN

Labrinth & Zendaya — "All for Us" — WATCH

Mark Ronson (feat. Bruno Mars) — "Uptown Funk"



Norah Jones — "Say Goodbye" — LISTEN

Well, it ain't easy to stay in love

If you can't tell lies

So I'll just have to take a bow

And say goodbye

The Horrors — "Still Life" — WATCH

The Smashing Pumpkins — "Panopticon" — LISTEN

Melissa McMillan — "Keep Coming Back To You" — WATCH

Parcels — "Overnight" — LISTEN

BØRNS — "Past Lives" — WATCH

Santigold — "Disparate Youth" — WATCH

Rival Sons — "Soul" — WATCH

Snarky Puppy (feat. Chris Turner) — "Liquid Love" — WATCH

Angel Olsen — "Lark"

This song has a stunning climax starting about 4 minutes in.



Spoon — "Do I Have to Talk You Into It" — LISTEN

Esperanza Spalding — "One" — WATCH

Kitten — "Like a Stranger" — WATCH
 
The Dodos — "Black Night" — WATCH

Intervals — "Moment Marauder" — LISTEN

Paul Gilbert — "Adventure and Trouble" — LISTEN

Death Cab for Cutie — "Codes and Keys" — LISTEN

Justin Timberlake — "Mirrors" — WATCH

Jónsi — "Sinking Friendships" — LISTEN

*

Thanks to all who offered suggestions for the list, including Akponoluo, Alex, Ariel, Brit, Chris, Francesca, Jamie, John, Matt, and Nick.

*

Here's a Spotify playlist of all the runners-up, except two songs that aren't on Spotify ("Easy" by Joanna Newsom, and "Nobody Likes the Opening Band" by I Don't Know How But They Found Me):




Click here for the full list of the best songs of the decade.

The 2 most overused chord progressions in pop music today

A list of 10 overused chord progressions -- and a manifesto -- in this post on everything2.com by "chrisjh," a music undergrad:

While certainly some of these chord progressions were revolutionary and are still key in reproducing some of today's most classic genres, we'd still like certain genres of music to move forward. . . . I have a feeling that although new chord progressions might sound weird at first, with enough use we'd easily attach an emotion or mood to them, just as we did to the blues and to the 50's bebop progression — I bet if the 4 chord blues were played in the 17th century, everyone'd think it was odd and dissonant crap.

Here are the two chord progressions that I think have become most worn-out in the popular music of the last few years (the first of which is in chrisjh's list):

Progression #1

 I - V - vi - IV. If you're in the key of C, this is C - G - A minor - F.

A classic example is U2's "With or Without You":




Someone asked about this progression in this AskMetafilter thread, which contains some detailed analyses (including mine). That thread links to this YouTube clip that brilliantly reveals the monotony of so much popular music:




The progression has its place — it's beautiful in "With or Without You" and "Let It Be." I also like it in the songs by Michael Jackson, Bush, and the Red Hot Chili Peppers in that clip — all from at least 15 years ago. But recently, this chord progression and the next one have so thoroughly infected pop music that I find it hard to take today's top 40 seriously.

Progression #2

i - VI - III - VII. In the key of A minor, this is A minor - F - C - G.

Here's a whole article about it, which calls it the "Sensitive Female Chord Progression" and suggests that you can identify it by trying to sing Joan Osborne's "One of Us" over it:




Progressions #1 and #2 are closely related: you can play each one by starting halfway into the other one (i.e. starting with the 3rd of the 4 chords) and looping back to the beginning.

Between these two chord progressions, you can easily write a whole radio station's worth of hits -- as long as you don't mind if music stays in the same place rather than evolving. Even when an artist as eclectic as Regina Spektor relies on these progressions (#1 in "On the Radio," #2 in her new "Blue Lips"), the result can be wearying.