The 100 Best Songs of the 2010s (51-60)

Now halfway through the 100 best songs of the decade…

(Click here for the whole list so far, with a Spotify playlist.)


60. Red Hot Chili Peppers — "Dark Necessities"




59. Radiohead — "Burn the Witch"




58. Muse — "Madness"

(Cover by the Pretty Reckless.)




57. Dream Theater — "Barstool Warrior"

Dream Theater might be the most technically complex rock band in the world, but this is one of their more accessible songs. "Barstool Warrior" also makes up for the songs on this list that glorify excessive drinking…




56. OK Go — "I Won't Let You Down"

This amazing video must be watched from beginning to end! (I recommend "full screen" mode.)




55. Green Day — "Brutal Love"




54. Fitz and The Tantrums — "Don't Gotta Work It Out"




53. Esperanza Spalding — "Elevate or Operate"




52. Gotye (feat. Kimbra) — "Somebody That I Used to Know"




51. nine inch nails — "copy of a"

(Album version.)

(Here are my blog posts about NIИ's first and second albums.)




<— 61 - 70

41 - 50 —>

The Best Songs of the 2010s: Runners-up

10 years ago, I posted a list of the 100 best songs of the decade, 2000 to 2009.

Now I'm doing it again with the decade that's coming to an end: 2010 to 2019.

But first, here are 100 runners-up — songs I like but didn't have room for in the top 100 — in no particular order. (The song title usually links to an album the song is on, and after that I embed or link to video.)

A Spotify playlist of these songs is at the end of this post.


Owen Pallett — "Lewis Takes Off His Shirt"



Zola Jesus — "Dangerous Days" — WATCH (official video)

Broken Bells — "Good Luck" — LISTEN

The face of evil is on the news tonight

We see the darkness over light

But have we ever really lived in better times?

The Naked and Famous — "Young Blood" — WATCH

Robyn — "Ever Again" — WATCH

The Goo Goo Dolls — "Miracle Pill" — WATCH

Frances Quinlan — "Rare Thing" — WATCH

I only managed to stay small by making giants out of strangers

Regina Spektor — "Small Town Moon" — LISTEN

The Tragically Hip — "In a World Possessed by the Human Mind" — WATCH

Estelle — "Wonderful Life" — WATCH

Wye Oak — "Glory"

How do 2 people make so much sound? Look at the drummer: he's playing keyboard at the same time!



I Don't Know How But They Found Me — "Nobody Likes the Opening Band" — WATCH

Daft Punk (feat. Pharrell Williams) — "Get Lucky" — WATCH (acoustic cover)

Sophie Ellis-Bextor — "Come with Us" — WATCH

Feist — "How Come You Never Go There" — WATCH 
 
Faded Paper Figures — "Information Runs On" — LISTEN

Willie J Healey — "Polyphonic Love" — WATCH

David Bowie — "Sue (or in a Season of Crime)" — WATCH (rock version)

Lorde — "Tennis Court" — WATCH

Joanna Newsom — "Easy" — LISTEN

Hiatus Kaiyote — "Breathing Underwater"



Cults — "Always Forever" — LISTEN

Sky Ferreira — "You're Not the One" — WATCH (live)

Florence and the Machine — "Hunger" — WATCH

Marian Hill — "Down" — WATCH

Emeli Sandé — "Next to Me" — WATCH

Cage the Elephant — "Trouble" — WATCH

Rise Against — "Lanterns" — LISTEN

The Strokes — "80's Comedown Machine" — LISTEN

Wilco — "Art of Almost" — LISTEN

Aloe Blacc — "Loving You Is Killing Me"

I like the raw energy of the live version below, but here's the more polished recording.



Hot Chip — "Spell" — WATCH

Phantogram — "Fall in Love" — WATCH

Belle and Sebastian — "Party Line" — WATCH

Tame Impala — "The Less I Know the Better" — WATCH  

P!nk — "Blow Me (One Last Kiss)" — WATCH

The Stepkids — "Art of Forgetting" — WATCH

Grizzly Bear — "Losing All Sense" — WATCH 

Rose Windows — "Native Dreams" — WATCH

Red Hot Chili Peppers — "The Hunter" — LISTEN

Kimbra — "Come Into My Head"

Check this blog later for a very different Kimbra!



Gregory Porter — "Don't Lose Your Steam" — WATCH

Frank Ocean — "Thinkin Bout You" — LISTEN

Alvvays — "Dreams Tonite" — WATCH

Daedelus (feat. Inara George) — "Penny Loafers" — LISTEN

Snarky Puppy (feat. Knower & Jeff Coffin) — "I Remember" — WATCH

U2 — "The Blackout" — WATCH

Caribou — "Odessa" — WATCH

Imogen Heap — "Lifeline" — WATCH

Bon Iver — "Holocene" — WATCH

Fleet Foxes — "Helplessness Blues"

I was raised up believing

I was somehow unique

Like a snowflake distinct among snowflakes

Unique in each way you can see

And now after some thinking

I'd say I'd rather be

A functioning cog in some great machinery

Serving something beyond me…

Sharon Van Etten — "Seventeen" — WATCH

Jenny Lewis — "Wasted Youth" — WATCH 

Kacey Musgraves — "Follow Your Arrow" — WATCH 

Paul McCartney — "Alligator" — LISTEN

White Rabbits — "Heavy Metal" — WATCH

Raury — "God's Whisper" — WATCH

Cherri Bomb (later known as Hey Violet) — "Shake the Ground" — WATCH

nine inch nails — "find my way" — LISTEN

Oh Land — "Doubt My Legs" — LISTEN

Björk — "Notget"



Becca Stevens — "Queen Mab" — WATCH

HAIM — "The Wire" — WATCH

Anderson .Paak — "Put Me Thru" — WATCH

Sleater-Kinney — "Reach Out" — LISTEN

FKA twigs — "Two Weeks" — WATCH

Lady Gaga — "Judas" — WATCH

Tom Petty and the Heartbreakers — "Red River" — LISTEN

Weezer — "Beach Boys" — LISTEN

Pearl Jam — "Sleeping by Myself" — LISTEN

Snarky Puppy (feat. Laura Mvula & Michelle Willis) — "Sing to the Moon" — WATCH 



MGMT — "It's Working" — WATCH

of Montreal — "Nursing Slopes" — LISTEN

Carly Rae Jepsen — "Call Me Maybe" — WATCH

The Kooks — "Junk of the Heart (Happy)" — WATCH

Keri Hilson — "Pretty Girl Rock" — WATCH

Pale Waves — "There's a Honey" — WATCH

M83 — "Midnight City" — WATCH

Beck — "Morning" — LISTEN

Labrinth & Zendaya — "All for Us" — WATCH

Mark Ronson (feat. Bruno Mars) — "Uptown Funk"



Norah Jones — "Say Goodbye" — LISTEN

Well, it ain't easy to stay in love

If you can't tell lies

So I'll just have to take a bow

And say goodbye

The Horrors — "Still Life" — WATCH

The Smashing Pumpkins — "Panopticon" — LISTEN

Melissa McMillan — "Keep Coming Back To You" — WATCH

Parcels — "Overnight" — LISTEN

BØRNS — "Past Lives" — WATCH

Santigold — "Disparate Youth" — WATCH

Rival Sons — "Soul" — WATCH

Snarky Puppy (feat. Chris Turner) — "Liquid Love" — WATCH

Angel Olsen — "Lark"

This song has a stunning climax starting about 4 minutes in.



Spoon — "Do I Have to Talk You Into It" — LISTEN

Esperanza Spalding — "One" — WATCH

Kitten — "Like a Stranger" — WATCH
 
The Dodos — "Black Night" — WATCH

Intervals — "Moment Marauder" — LISTEN

Paul Gilbert — "Adventure and Trouble" — LISTEN

Death Cab for Cutie — "Codes and Keys" — LISTEN

Justin Timberlake — "Mirrors" — WATCH

Jónsi — "Sinking Friendships" — LISTEN

*

Thanks to all who offered suggestions for the list, including Akponoluo, Alex, Ariel, Brit, Chris, Francesca, Jamie, John, Matt, and Nick.

*

Here's a Spotify playlist of all the runners-up, except two songs that aren't on Spotify ("Easy" by Joanna Newsom, and "Nobody Likes the Opening Band" by I Don't Know How But They Found Me):




Click here for the full list of the best songs of the decade.

nine inch nails’ pretty hate machine is 30

nine inch nails released their debut album, pretty hate machine, 30 years ago today, October 20, 1989.

Rolling Stone reported a few months later:

Nine Inch Nails’ sound is dominated by clanging synths and sardonic, shrieking vocals. But Reznor stretches that industrial-strength noise over a pop framework, and his harrowing but catchy music has taken the college charts by storm.

The conventional wisdom might be that the downward spiral is the magnum opus of NIИ. But for me, their greatest has always been pretty hate machine — the original expression of NIИ in its most raw purity. (“i gave you my purity...”)

Today I listened to the remastered version of the whole album with headphones. NIИ sing about how there’s “nothing quite like the feel of something new,” but there’s also nothing quite like returning to something that hasn’t been new for a long time but still has the capacity to shock and invigorate.

“head like a hole” starts the album by signaling from the first words that this song and this album are going to be about power and control: “god money, i’ll do anything for you. god money, just tell me what you want me to...” The song later seems to become more political, with lines like: “god money, let’s go dancing on the backs of the bruised...”




That song ends with a disorienting segue to the next song, “terrible lie,” which has been a powerful opener to NIИ’s famously great live shows. The singer’s obsessively dependent refrain is: “don’t take it away from me, i need someone to hold on to...” (the equivalent to the downward spiral’s “nothing can stop me now, ‘cause i don’t care anymore.”)




“down in it” has trent reznor (who the liner notes helpfully tell us “is” nine inch nails) rapping over eerily atmospheric samples. To be a NIИ fan is to know the lyrics to this by heart. (“kind of like a cloud...”)




“sanctified” is one of many songs in which reznor grapples with religion. (“heaven’s just a rumor she’ll dispel, as she walks me through the nicest parts of hell...”)




“something i can never have” is the “hurt” of pretty hate machine, and possibly even more hauntingly beautiful. A quintessentially self-effacing NIИ line: “grey would be the color ... if i had a heart.”




“sin” is an anthem of power and control. The song keeps coming back to a “shah” sound that bounces back and forth between the left and right speakers, as if to beg us to listen with headphones. The song reaches some of the most intense moments of the album after the second chorus, when the instruments steadily build up to a heavy synth riff over a wall of guitars.




“the only time” reveals a funkier and more comical side of NIИ. (“my moral standing is lying down...”)




Some of the other, poppier songs on the album are less memorable, but they remind us that while we might think of nine inch nails as ‘90s alternative music, NIИ started in the ‘80s.

25 years ago today: Soundgarden and Nine Inch Nails

1994 was a great year for me because that's when I started really discovering and learning to play music, around age 13. And 25 years ago today, March 8, 1994, was a great day for music, because that's when Soundgarden released Superunknown, and Nine Inch Nails released The Downward Spiral.

These weren't just some of the better records by a couple heavy, alternative bands of the mid-'90s. They were that, but they were something more. Listening to them now brings us back to a time when a rock band could be massively successful while daring to break out of formulas and challenge listeners.

Here are 5 highlights from each album.

"Spoonman" is the first Soundgarden song I ever heard, so to me it will always feel like the essence of Soundgarden and the starting point for the band, even though it was the 8th song on their 4th album. I love the jarring juxtapositions of different keys and time signatures.

The song was about a California- and Seattle-based street performer, Artis the Spoonman, who’s seen and heard performing in the video. He’s the only person we see in motion; the band members are shown only in photos.




Chris Cornell said:

It's more about the paradox of who he is and what people perceive him as. He's a street musician, but when he's playing on the street, he is given a value and judged completely wrong by someone else. They think he's a street person, or he's doing this because he can't hold down a regular job. They put him a few pegs down on the social ladder because of how they perceive someone who dresses differently. The lyrics express the sentiment that I much more easily identify with someone like Artis than I would watch him play. . . .

I think we were fairly smart with "Spoonman" in that you really don't see us that much in the video. You see various pictures of us, but it's not quite the same as having us in your living room all the time. We're trying to maintain some degree of mystique about Soundgarden, I guess. I remember back when I was a kid, long before MTV, and the only way to see my favorite bands was to go to their concerts. It was an incredible experience. MTV has helped a lot of bands, but they've also helped rob a lot of groups of that special mystique. It's tough when you can see a great rock band on TV one second, then hit the clicker and be watching a soap opera or a sitcom the next. That's what rock and roll has become for some people.

"Fell on Black Days" seems to peel off the heavy outer surface of Soundgarden and reveal something more contemplative underneath. After Chris Cornell died at age 52, it was hard to hear him sing, over and over again: "How would I know that this would be my fate?"




Within one week after Chris Cornell's death in 2017, I listened to Soundgarden's last 4 albums straight through, then listed my 20 favorite Soundgarden songs. I wrote:

I . . . felt overwhelmed by the ocean of extraordinary material — relentlessly innovative and challenging, often jagged and angular, mostly heavy and dark, occasionally with gentle or bright spots, but never tranquil, always disturbed and searching for something better.

I ranked "The Day I Tried to Live" their #2 song, and their best from Superunknown. Cornell explained what he meant by the song:

It's about trying to step out of being patterned and closed off and reclusive, which I've always had a problem with. It's about attempting to be normal and just go out and be around other people and hang out. I have a tendency to sometimes be pretty closed off and not see people for long periods of time and not call anyone. It's actually, in a way, a hopeful song. Especially the lines "One more time around/Might do it," which is basically saying, "I tried today to understand and belong and get along with other people, and I failed, but I'll probably try again tomorrow." A lot of people misinterpreted that song as a suicide-note song. Taking the word "live" too literally. "The Day I Tried to Live" means more like the day I actually tried to open up myself and experience everything that's going on around me as opposed to blowing it all off and hiding in a cave.

"Black Hole Sun" is by far the band's best-known song, which can make it hard to listen to with fresh ears. The song has a clear Beatles influence: the verse sounds like the chords could have been written by Paul McCartney and the vocal melody by John Lennon. Soundgarden's lead guitarist, Kim Thayil, once said:

We looked deep down inside the very core of our souls and there was a little Ringo sitting there. Oh sure, we like telling people it's John Lennon or George Harrison; but when you really look deep inside of Soundgarden, there's a little Ringo wanting to get out.

"Head Down" (written by the bassist, Ben Sheperd) is an engimatic departure from the usual hard rock of Soundgarden. Acoustic and electric guitars, bass, and drums intermingle in delightfully unexpected ways.




After Nine Inch Nails debuted in 1989 with the relatively accessible Pretty Hate Machine, then put out a sledgehammer of a record with the Broken EP in 1992, The Downward Spiral was a relevatory merging of the poppier and heavier elements of NIN, with a more exquisitely pieced-together production. The concept album about a suicidal man starts out with the hard-driving "Mr. Self Destruct," sounding not far from Broken. But then the second song, "Piggy," lets us know this is not just another Broken. The eerie synth tones floating over a cool-jazz rhythm section, providing the incongruous backdrop for the singer's obsessing over how "nothing can stop me now," sound like nothing we had ever heard before from NIN.



NIN is virtually a one-man band consisting of Trent Reznor in the studio, but the frenetic drums that disrupt the jazz vibe of "Piggy" are the only time he played real drums on the record. A different drummer gives an amazing performance of the song in this live video.


"March of the Pigs" is so heavy you might not notice that most of the heavy parts are in 7/8 time (so you can steadily count to 7 and keep following the beat — except when he throws in an extra beat). The heaviness subsides into a rare moment of brightness on this otherwise bleak album: "And doesn't it make you feel better? . . . And everything is all right."




"Closer" is probably the most famous NIN song, even though one of the main words in the chorus had to be muted when it was played on the radio. (Here's the unedited version of the video — I can't embed it on the blog because it has fleeting artistic nudity.)




"The Becoming" uses disturbing noises to evoke "this noise inside my head."




The 13th song, "The Downward Spiral," describes the suicide. Then the album comes to a close with the slow, stark "Hurt," a song of staggering emotion. The most often quoted lyrics are probably the first lines, about self-harm. I prefer to focus on the hopeful last verse, where the singer (the ghost of the man who just killed himself?) looks back at his life:

If I could start again
A million miles away
I will keep myself
I would find a way

And wow, the combination of music and video on that last line . . . !




I remember having a conversation with two friends of mine who were both big NIN fans, and one of them commented that NIN is so depressing. The other friend and I immediately and almost in unison responded that we don't feel depressed at all listening to NIN. Precisely because Trent Reznor is working through so many negative feelings so intensely, his music can be profoundly energizing in a way that can make cheerful music seem beside the point. ("And doesn't it make you feel better?")

In my post on my favorite Soundgarden songs, I quoted Chris Cornell expressing a similar sentiment: "I’ve always liked depressing music because a lot of times listening to it when you’re down can actually make you feel less depressed." I'm sorry he couldn't find that kind of uplift on the terrible night when he killed himself right after Soundgarden played its last concert.

But I'm glad NIN is "still right here," playing famously great live shows after a remarkable 30 years, keeping some of the most strangely beautiful music of 1994 alive.