"This is a sacred place."

So said Dave Douglas, the jazz trumpet player, in the middle of his in-between-song banter last night.

It was the first time I had heard any such statement made about a music venue. Normally, it would seem like a ridiculous and perhaps sacrilegious thing to say. But I doubt anyone in the audience was surprised to hear this asserted about the Village Vanguard.

You can hear a complete concert here — the same group and venue, from earlier last week.

Douglas described two of his songs as being about "November 2008 and the wonderful change that occurred in this country." Both of those songs — "The Presidents" and "Campaign Trail" — are on his latest album, A Single Sky. (The music on that album isn't actually representative of last night's show since it's performed by a big band.)

It was a great show, and the pianist, Uri Caine, was particularly magnificent. His solos were so adventurous they were practically little songs unto themselves. You wouldn't have guessed that his piano-playing was a major departure from the group's past: he played only keyboard (Fender Rhodes) in the group for almost 10 years and just recently switched to piano.

Uri Caine's albums based on Beethoven and Mozart would make great Christmas presents for anyone who likes classical and/or jazz music (not for me — I already have them). They're much better than I would have expected a jazzified version of Beethoven or Mozart to be.

Anat Cohen's Clarinetwork — "Benny Goodman and Beyond" at the Village Vanguard

Seeing Anat Cohen at the Village Vanguard was possibly the best thing we did in New York City. We hadn't heard of Anat Cohen — I just thought we should go to the Village Vanguard to make the visit complete. But now she's my favorite clarinetist.

[UPDATE: You can listen to one of the concerts from that week here. Click the two songs under the heading "Hear the Music." It's also been released as an album.]

You can listen to her play at the Village Vanguard last year here. The first song (Fats Wallers' "Jitterbug Waltz") will give you a feel for what last weekend's show was like.

I love this niche: taking a decidedly non-modern musical idiom and reviving it for the present day. It's probably harder than it sounds. You don't want to be too tame and old-fashioned. You need to bring your own personality to the music, make it sound newly relevant. But you also can't be too self-conscious or heavy-handed about it. Anat Cohen's quartet got the balance just right.

We sat through 2 back-to-back sets — about 3 hours of instrumental music — and I don't think we were ever bored. The whole experience simultaneously felt "larger than life" and yet more intimate than I had expected (even though I was familiar with the venue). She seemed constantly excited about the music, even when she wasn't playing. She was never just standing around waiting for her solo — she was always dancing or grinning or something.

As a bonus, the drummer, Lewis Nash, did a perfect wordless vocal solo that sounded like a saxophone.

I realize I haven't said much about the rest of her excellent band, but here's a whole blog post focusing on the pianist's performance. (That post is about one of the earlier concerts in her 6-night series at the Vanguard.)

She mentioned that they were recording the second set. I don't know if it was for an album. But if they do release a "Benny Goodman and Beyond" album from the Village Vanguard, definitely buy it!

She also composes, plays tenor and soprano saxophone, and is fluent in genres from around the world. (She said in an interview, describing her experience at Berklee College of Music, "I came to understand when a chart says 'Latin' on top it means almost nothing. You need to know if the music is from the northeast of Brazil, the west coast of Colombia, or someplace else on the continent. I was inspired to explore world music, starting with the music of South America, in detail.") Appropriately enough, none of these facets were on display when we saw her. She has a multitude of talent but also good taste about when to use it.

Here's another sample of her music, though quite different from the show we saw — playing with the popular singer/guitarist John Pizzarelli: