The 100 Best Songs of the 2010s (41-50)

We're now in the better half of the best songs of the decade…

(Click here for the whole list so far, with a Spotify playlist.)


50. Edward Sharpe and the Magnetic Zeros — "Life is Hard"

I cried at one part of this video.




49. Lorde — "400 Lux"

(Here's a fun cover with a new wave vibe by an Israeli group, the Young Professionals.)




48. Francesca Esmé — "Adult Things"

Full disclosure, the singer is a friend of mine. The song was written by David Safran from Chicago, Illinois; here's an Atlantic post about it.




47. Paul McCartney — "New"

After half a century of making music, Paul McCartney still keeps things "New." I love when this song seems to be ending but then there's a doo wop coda.

(Unplugged backstage.)




46. Ra Ra Riot — "Boy"




45. Chairlift — "Wrong Opinion




44. The Strokes — "Tap Out"




43. King Tuff — "Black Moon Spell"

Rock isn't dead.




42. Regina Spektor — "You've Got Time"

(Strings version.)




41. Prince — "This Could Be Us"




< — 51 - 60

31 - 40 —>

The 100 best songs of the first decade of the 2000s (30-21)

(Click here for the whole list.)


30. Ra Ra Riot — "Ghost Under Rocks"

This song has a great propulsive energy. There's some debate on the internet about the correct lyrics of the chorus, but I hear:

Here you are, you are breathing

Life into ghost under rocks

Like notes found in pocket

Coats of your fathers

Lost and forgotten

29. Yeah Yeah Yeahs — "Maps"

The kind of song that inspires graffiti.

(Unplugged.)




28. The Dodos — "Red and Purple"

This song has a personal resonance to me. I started listening to this song around the time, I was one of many people who had to say an emotional goodbye to someone important to us, and I kept finding parallels between that situation and this song. On one day when we said goodbye, many people showed up wearing this person's favorite colors: red and purple.




27. Rihanna — "Umbrella"

Possibly the youngest singer on the list: she was 19 when she recorded this song.




26. Arcade Fire — "Rebellion (Lies)"




25. MGMT — "Kids"

This song feels to me like a living, breathing creature on the prowl.

The instrumental interlude (starting about 3 minutes in) is outstanding. First, there's an adventurous and floridly Baroque keyboard solo — which is abruptly cut off and followed by a simple but effective drum passage, backed by just one relentlessly repeated chord. Then the bottom drops out for a moment, and we're back to the catchy chorus.




24. The Strokes - Last Nite

The Strokes and Tom Petty have admitted that this is derivative of Petty's "American Girl."




23. Esperanza Spalding — "Fall In"




22. OutKast — "Ms. Jackson"




21. Rufus Wainwright - I Don't Know What It Is

This is a masterful fitting of melody to chord progressions. He must have taken exquisite care to make this sound so effortless.

Where are the rock stars of the 2000s?

There don't seem to be any, as Jon Fine explains in the video clip below:

If you think about rock music -- which was this incredible industry for, I don't know, 30 years -- rock 'n' roll hasn't really minted any kind of massive ... multi-platinum-selling pop-culture superstar since the '90s, I think. The last really big ones have all been hip-hop. The rock bands now that consistently sell platinum generally came from an earlier era -- they're like Green Day or U2. That top level is completely gone.

Now, what you have in its place is you have a much healthier ecosystem in terms of discovering music and finding music, and for that matter nurturing bands on a local level. You know, the indie circuit that I adored in the '80s ... it's a much more accepted thing, as opposed to back then, it was a little more of a secret-handshake thing. ...

There's kind of a cultural impoverishment at the top of the spectrum, but at the bottom, it's just ridiculously healthy.

I agree, especially if we're talking about not just album sales but "rock stars," with the emphasis not on rock but on star. In the '80s, for instance, you had Madonna, Michael Jackson, Bruce Springsteen, and others, who didn't just sell tons of records but made a genuine cultural impact in their time.

Does anyone who made it big in this decade (and actually makes good music) even come close? Rufus Wainwright, Regina Spektor, Jenny Lewis (Rilo Kiley), Ben Gibbard (Death Cab for Cutie and the Postal Service)? Arcade Fire, the White Stripes, the Strokes? Those may be some of my own personal celebrities of the moment, but I don't know how broadly they resonate out in the world.

As Fine suggests, this is a very different question from how good the music scene is overall. In my opinion, rock/pop/etc. music in the 2000s is probably better overall than in the '90s -- or, for that matter, the '80s or '70s. There's more great music available to me and you, but it's less likely to be made by household names.

Of course, the '60s is better than all those other decades, but we'll never get the opportunity to see so much rock innovation, right? The bands/artists around now are severely disadvantaged by not being able to invent any of the genres that have already been invented. At a certain point, doesn't rock have to run its course?




(Arcade Fire - "Wake Up.")


IN THE COMMENTS: Theories.