Showing posts with label cultural degradation. Show all posts
Showing posts with label cultural degradation. Show all posts

Thursday, July 21, 2011

Is throwing a pie in the face of an unsuspecting victim ever a good idea?

No, argues T.A. Frank in the New Republic.

Frank's headline is "Is Pie-Throwing Ever Morally Justifiable?," but I've qualified my heading to make it clear that we have to exclude consensual pie-throwing, which is probably more common than what Frank is talking about: pie-throwing as an attempt at protest.

Pie-throwing is the issue of the day because Rupert Murdoch was almost hit with a pie while appearing before a parliamentary committee in London before his wife, Wendi Deng, successfully intervened.

Frank admits that no one seems to be supporting the pie-thrower in this incident, but he says this isn't a universal reaction to non-consensual pie-throwing. For instance, he cites Matthew Yglesias's approving reaction to someone hitting Thomas Friedman with a pie. Frank writes:

A common defense of pie-throwing is that it’s, well, just a pie. But, of course, the person getting attacked has no idea what the hell is about to hit him or her. In 1976, during a campaign appearance in his first run for the U.S. Senate, Pat Moynihan got pied by a Yippie yelling “Fascist pig.” Moynihan, a child of Hell’s Kitchen, was no softie, “but it scared the hell out of me,” he told The New York Times. It had been “a violent act.”

The defense that the fear lasts only a short while—between the time you first notice you’re being attacked and the time you realize it’s just a pie—doesn’t work, either. If fleeting fear were no problem, then mock executions would be just hilarious. But momentary fear can be very powerful indeed. If someone aimed a machine gun at me and started firing loud volleys of harmless whipped cream, I wouldn’t laugh it off. I’d scream in terror. And, if someone “just” charged me with a foreign object in hand, I’d be pretty damn frightened, too. . . .

Dignity is a tricky concept, hard to define. But it’s central to many religions, and it’s mentioned in numerous international conventions. The Geneva Conventions famously prohibit “outrages on human dignity.” What separates civilized nations from barbarous ones is that they treat all human beings, even the enemies that they kill and the criminals that they punish, with dignity. (If prisoners of war were to have custard pies pressed into their heads upon being taken into enemy custody, decent people would see it as a sickening humiliation.) It’s also what separates civilized people from bullies and brutes. Pie-throwers want to rob their victims of dignity. That degrades the rest of us, too.

By the way, what’s ironic about many of these pie-throwers is how seriously they take themselves. When the supposedly light-hearted [Noel] Godin, who kicked off his career by throwing a pie at Marguerite Duras in 1969, explained why he spattered Bill Gates with a pie in 1998, it was because Gates “chooses to function in service of the capitalist status quo, without really using his intelligence or his imagination.” Yeah, intelligent and imaginative people don’t bring personal computing to half the globe. They spend 30 years throwing pie.

Ultimately, pie-throwing amounts to the most violent way possible to attack someone powerful without being likely to get in trouble for it. (Victims rarely press charges, because they don’t want to look like bad sports.) But it’s the not the hegemony of elites that’s threatened by pie-throwing. It’s ordinary decency and openness. Murdoch goes back to work tomorrow. But, if there are further hearings, the public will have to go through much more security to get access to them. Today, only journalists were allowed to stay after the pie incident. Ordinary onlookers were made to leave. Thanks, pie-thrower.
One exception to Frank's general rule that pie-throwers don't get in trouble is Johnny Marbles, the man who tried to pie-throw Murdoch. He was arrested and jailed. So, does Marbles regret what he did? He writes:
I had intended to unleash a wave of polemic as I made my move. As it turned out, the whole thing was far too weird for me to string two thoughts together, particularly as Murdoch's wife rose from the chair to prevent and avenge her husband's humiliation. As it went, I'm glad I was even able to make the accurate understatement that he was a "naughty billionaire".

As I languished predictably in a prison cell later that evening, I contemplated whether people would understand why I'd done it. I knew it was a tall order: a surreal act aimed at exposing a surreal process was never going to be an easy sell. I worried, too, that my clowning would detract from the scandal, or provide sympathy for Murdoch.

Believe it or not, I even worried about Rupert Murdoch's feelings. You see, I really don't hate 80-year-olds and, at the end of the day, Rupert Murdoch is just an old man. Maybe what I was trying to do was remind everyone of that – that he is not all powerful, he's not Sauron or Beelzebub, just a human being, like the rest of us, but one who has got far too big for his boots.
Even the aspiring pie-thrower himself was unable to articulate a convincing case for what he did, either at the time or in a long-winded editorial after the fact. So I agree with Frank: in addition to being violent and degenerate, pie-throwing simply isn't the incisively satirical act the pie-throwers seem to think it is. In fact, it's the opposite of what it's trying to be. People don't have trouble understanding why Marbles would want to do this because pie-throwing is too surreal or subversive for our comprehension; we have trouble seeing the point because pie-throwing is trite, formulaic, old-fashioned, humanizing toward the target, and ultimately meaningless.

ADDED: A couple people have asked me if I feel the same way about the people who are going around throwing glitter at politicians who are opposed to gay rights. Here's my response.

Sunday, August 29, 2010

BLAM! Disney debases its classic cartoons for the lowest common denominator.

Like so many of us, I grew up on Disney cartoons. You know: Goofy, Donald Duck, Mickey Mouse. I never would have expected that Disney itself would feel the need to mutilate these artworks to make them more commercial -- as if they weren't already fantastically appealing to kids.

That's exactly what the Disney Channel has done with a series called BLAM!, which I just found out about on Metafilter. The show follows the same formula for every segment: (1) take a classic Disney cartoon; (2) heavily edit it down to focus on the most violent, fast-paced gags; (3) have a narrator explain what's happening, with frequent plays on the show's title (example: "the United States of A-BLAM!-ica!"); (4) after each gag, provide a slow-motion replay with further explanations.

At every moment, the narrator violates the well-known rule of comedy that to explain a joke is to kill the joke. A Metafilter commenter calls it "slapstick for the hard of thinking."

Almost all the Metafilter comments mercilessly denounce the show. (A lone dissenter claims to like it unironically.) The show is being panned across the internet.

Here's one of the episodes -- and I warn you that it's a sad commentary on how our culture has been cheapened to a point you might not have thought possible:



One of the worst things about this particular segment is that it isn't providing narration where there was none. The original cartoon already had a perfectly dignified and subtle "straight man" narrator, but BLAM! replaces him with the opposite.

You can see more episodes -- if you can stand them -- at the top of the Metafilter post.

To show how far BLAM! deviates from the original work of art, here it is: "The Art of Skiing," 1941:

Monday, June 28, 2010

Is this the grim future of the declining news media?

Inexplicably dull Politico articles about random details in the lives of congressional staffers?

(Via Matthew Yglesias, who calls it "[t]he most pointless article ever written.")

It's too uninteresting to be a human-interest story, but it's not ridiculous enough to be a joke. It's not even boring enough to be deadpan comedy in the vein of I Went to College and It Was OK.

I'll copy one of the comments on the Politico article here, since Politico requires free registration to view the comments for some reason:

Last night, I made a chorizo chili with some peppers and beans and spices and boy was it good. I didn't prepare rice along with it though I plan to do so as I eat the leftovers, both because it thickens the chili and is more economical since the leftovers will last longer.

Didn't feel like cooking this afternoon so I just heated up some vegetarian spring rolls--nothing too exciting but they are pretty good.

Tomorrow I'm thinking of throwing together a salad with cucumbers, carrots, tom....Oh, I'm sorry, are you bored out of your mind? Now you know how the rest of us felt reading this nonsense.

Wednesday, May 26, 2010

Kid's menus are "the death of civilization."

So says Nicola Marzovilla, who owns a resaurant in Manhattan's Gramercy Park called I Trulli. (Via.)

He expounds his view of restaurant's "kid's menus" in that New York Times piece:

"The table is very important," Mr. Marzovilla explained as we sat around one at his restaurant early Sunday evening with our five collective children. "It’s about nutrition, it’s about family; you go right down the line. And the children’s menu is about the opposite — it’s about making it quick, making it easy, and moving on." . . .

"You know, I’m their parent, I’m not their best friend," Mr. Marzovilla noted. "I have a duty to mold and teach." . . .

"Some parents, it’s important to them that their kids do sports," Mr. Marzovilla said. "To me, it doesn’t mean a thing. To have this experience with their family is more important." . . .

"If you don’t ask your children to try things, how will they ever know what they’re capable of?" Mr. Marzovilla said. “And isn’t the same true of us?"
What do his children have to say about this? The Times interviewer asked about his success in "encouraging" them to try new foods, and his daughter took umbrage at the verb choice:
"Try 'forced,'" said Julia, the 14-year-old.

"There wasn’t a time we didn’t end up trying it,” said Domenico, the 17-year-old. "Sometimes it took longer than others."
RELATED: Why parents shouldn't hide vegetables in their kids' food.

Thursday, April 15, 2010

The Library of Congress is going to "archive the collected works of Twitter."

We're going to record "the second-by-second history of ordinary people."

That NYT article makes this important point (which it attributes to unnamed academics):

For hundreds of years, . . . the historical record has tended to be somewhat elitist because of its selectivity. In books, magazines and newspapers, . . . it is the prominent and the infamous who are written about most frequently.
I've been critical of Twitter. But I only wish we had this kind of access to random people's fleeting thoughts from 50, 100, 200 years ago.

On the other hand, most tweets surely aren't very interesting. It's hard to imagine that more than 10% are worth going back and reading even a year later. But the Library of Congress is apparently archiving all tweets. This seems bizarrely undiscriminating for such an august institution.

Now, sifting through the 55 million tweets per day (!) would be an enormous task, so I'm not surprised they don't bother to do that. But couldn't they come up with an algorithm that would automate the process of distilling the whole archive into something with more overall value? For instance, they could have a rule that they only archive tweets that have garnered a certain number of "favorites."

Lastly, this is disturbing:
[T]he vast majority of Twitter messages that would be archived are publicly published on the Web.
"The vast majority"? You mean some of the posts that will be stored in the Library of Congress will be from posts that were never publicly published — that is, from "locked" accounts? How is that not a flagrant violation of privacy?

Thursday, February 25, 2010

Should children be medicated to deal with their psychological issues?

In this book review that's probably a more worthwhile read than the book, Alison Gopnik writes:

Within the past few years more and more children have been given powerful brain-altering drugs to deal with a wide range of problems. . . .

You can sympathize with the impulse of parents to do something, anything at all, to help their children. But that doesn't alter the fact that the scientific evidence just isn't clear about what to do. On balance, though, the evidence suggests that we should be conservative about prescribing drugs to children, and much more conservative than we actually are. Even the scientists who advocate some use of drugs acknowledge that they are overprescribed and badly managed. Brains are complex enough, children's developing brains are even more complex, and determining the long-term effects of drugs that alter those brains is especially difficult. Children are different from adults, often in radical ways, and many childhood problems resolve just as part of development.

On top of that, each generation of doctors discovers that the last generation was disastrously misguided in its medical interventions, from lobotomies to estrogen replacement, at the same time that they assure the patients that this time is different.
I'm also glad to see that the review highlights the importance of compatible "levels of description":
[Judith] Warner's book [We've Got Issues] also reflects a common confusion in popular writing about psychology. She writes as if there are just two kinds of explanations for human behavior. Either the everyday narratives are right—so that children are unhappy because their parents don't care about them, or they fail at school because they are lazy. Or else the right answer is that the children's problems are the result of "something in their brains." Warner's logic seems to be that since the parents do care about their kids, the problem must be in the children's brains and therefore drugs will fix it.

But everything about human beings, cultural or individual, innate or learned, is in our brains. Loss and humiliation change our serotonin levels, education transforms our brain connections, social support affects our cortisol. Neurological and psychological and social processes are inextricable. The work of psychological science is to identify causes at many levels of description—social, cultural, individual, and neurological.
There was a very insightful blog post (on Psychology Today's website) that makes a similar point about evolutionary psychology: "Is it evolutionary, or is it . . . ?" (That post speaks of "levels of causation," which is the same thing as the "levels of description" in the above block quote.) I've also blogged this concept before: "Can you give a neurological or evolutionary explanation of love without debunking the whole idea of love?"

By the way, that book review has several points that could be added to my list of ways blogs are better than books. The bias in favor of conclusions that come from riveting stories is huge.

Friday, January 29, 2010

"As soon as a celebrity walks through a naked machine, some creep will want to save the picture and send it to the tabloids."

Jeffrey Rosen argues that the new airport screening device invades our privacy without actually preventing terrorism.

He describes his chance encounter with one of the machines:

Last summer, I watched a fellow passenger at Washington’s Reagan National Airport as he was selected to go through a newly installed full-body scanner. These machines--there are now 40 of them spread across 19 U.S. airports--permit officials from the Transportation Security Administration (TSA) to peer through a passenger’s clothing in search of explosives and weapons. On the instructions of a security officer, the passenger stepped into the machine and held his arms out in a position of surrender, as invisible millimeter waves surrounded his body. Although he probably didn’t know it, TSA officials in a separate room were staring at a graphic, anatomically correct image of his naked body. When I asked the TSA screener whether the passenger’s face was blurred, he replied that he couldn’t say. But, as I turned to catch my flight, the official blurted, “Someone ought to do something about those machines--it’s like we don’t have any privacy in this country anymore!”
The real problem is that there's no reason to assume that the violation described in the heading would be done only to celebrities.

UPDATE: It's already happened.

Saturday, September 5, 2009

Dumb choices

I have one tip for making healthier choices: Anyone who recommends eating Froot Loops as a "smart choice"? Don't listen to anything they tell you to do.

How could Froot Loops (which consist of over 40% sugar) have possibly gotten this green check mark as a stamp of approval in a new program to help supermarket shoppers figure out what the "smart choices" are?

Here's an attempted explanation (all these quotes are from the New York Times story in the first link):

Dr. [Eileen] Kennedy, who is not paid for her work on the program, defended the products endorsed by the program, including sweet cereals. She said Froot Loops was better than other things parents could choose for their children.

“You’re rushing around, you’re trying to think about healthy eating for your kids and you have a choice between a doughnut and a cereal,” Dr. Kennedy said, evoking a hypothetical parent in the supermarket. “So Froot Loops is a better choice.”
Even if you agree with that advice in that particular context, that's just what's needed: context. Not everyone is a parent shopping for their young children. Universal, binary advice -- eat this, don't eat that -- doesn't give you any context. [In the comments: Is she even right about her contrived hypothetical?]

But this might be the biggest problem:
[Kennedy] said ... research showed that, while shoppers wanted more information, they did not want to hear negative messages or feel their choices were being dictated to them.

“The checkmark means the food item is a ‘better for you’ product, as opposed to having an x on it saying ‘Don’t eat this,’ ” Dr. Kennedy said. “Consumers are smart enough to deduce that if it doesn’t have the checkmark, by implication it’s not a ‘better for you’ product. They want to have a choice. They don’t want to be told ‘You must do this.’ ”
So the message is: if it doesn't have that label, it's not one of the smarter choices. Doesn't that mean a food with no label at all can't possibly be one of the smarter choices? A commenter on MetaChat draws our attention to this point from Michael Pollan's In Defense of Food:
Avoid food products that make health claims. For a food product to make health claims on its package it must first have a package, so right off the bat it's more likely to be a processed food than a whole food.
Of course, the "smart choices" program
“was paid for by industry and when industry put down its foot and said this is what we’re doing, that was it, end of story.”
That account comes from Michael Jacobson, executive director of an advocacy group called the Center for Science in the Public Interest, which "was part of a panel that helped devise the Smart Choices nutritional criteria, until he quit last September." He adds:
“You could start out with some sawdust, add calcium or Vitamin A and meet the criteria."
A better policy would be to just tell everyone to read the aforementioned In Defense of Food and Mark Bittman's Food Matters.

Monday, April 27, 2009

Rap, gender, race, and degradation

"OM," writing on the excellent website Butterflies and Wheels, says:

I wrote to the women's studies list yesterday to ask for thoughts on sexist epithets....
Here's one of the replies she got:
"Recently, I was standing at the bus stop with a young man who was singing along to rap music. Suddenly, he yelled "Bitch!" and I almost ran for cover.

But he was just singing along to the music.

Can anyone wonder why young women are treated so badly when the music kids listen to describes them as bitches, evil, and mean?"
This degradation -- of women and society -- reminds me of an anecdote recounted by John McWhorter in this column from 2003:
Not long ago, I was having lunch in a KFC in Harlem, sitting near eight African-American boys, aged about 14. They were extremely loud and unruly, tossing food at one another and leaving it on the floor.

What struck me most was how fully the boys’ music - hard-edged rap, preaching bone-deep dislike of authority - provided them with a continuing soundtrack to their antisocial behavior. So completely was rap ingrained in their consciousness that every so often, one or another of them would break into cocky, expletive-laden rap lyrics, accompanied by the angular, bellicose gestures typical of rap performance. A couple of his buddies would then join him. Rap was a running decoration in their conversation.

Many writers and thinkers see a kind of informed political engagement, even a revolutionary potential, in rap and hip-hop. They couldn’t be more wrong. By reinforcing the stereotypes that long hindered blacks, and by teaching young blacks that a thuggish adversarial stance is the properly “authentic” response to a presumptively racist society, rap retards black success.
PREVIOUSLY: "My problem with rap."